P O E T R Y
Salamander (Issue 53)
The Religion I’ve Made of My Mother
On Me Such Legs Are Left
Under a Warm Green Linden (Issue 11)
Upon Learning the Collective Noun for Swans is a Lamentation--
Redivider (18.2)
Daughter of an Atlanta Stripper
Fence (Issue 37)
The Crisis is Not Knowing
Birdfeast (Issue 15)
Childhood
Cotton Xenomorph (Jan 2020)
Force Dance
Ruminate (Issue 54)
Marriage
North American Review (Spring 2018)
An Open Call to Single Daughters of Single Mothers
Five Points (18.3)
My First Period
Marriage is a Room Full of Windows
Southern Indiana Review (Spring 2018)
Addict Father Sends Adult Child Recurrent Text Message
The Rio Review (Fall 2018)
Gas Station Bathroom
T R A N S L A T I O N
Fence: Steaming (June 2023)
Luis Othoniel Rosa
“Year 2089”
La Impresora (April 2023)
Luis Othoniel Rosa
Calima
DoubleCross Press
Nicole Cecilia Delgado
Objetos encontrados / Found Objects
Guernica (August 2020)
Nicole Cecilia Delgado
“9 sueños” / 9 dreams
featured on The Slowdown
Waxwing (Spring 2020)
Nicole Cecilia Delgado
“de regreso queda” / on the way back
“ya una podría quedarse aquí” / you could stay here no
“emilio dijo ‘dios nos lanzaba canicas” / emilio said god used to throw us cold
O T H E R S T U F F
Poets&Writers (Jan/Feb 2023)
The Beauty of Being: Our Eighteenth Annual Look at Debut Poets
largehearted boy (July 2022)
Book Notes: A Playlist for Sugar Work
Writers: Craft & Context (2.1)
“Abandon This Palace of Language:” On the Rhetoric of the Body in A Yellow Silence
Waxwing (Summer 2020)
The Sound of God
The Millions
Godless and Full of God: The Millions Interviews Katie Marya
Poetry Society of America
In Their Own Words: Katie Marya on “Home in Las Vegas”
Lives Radio Show & Podcast
Stuart Chittenden Interviews Katie Marya
Tupelo Quarterly
“I hear a heron—each of us trying to unfurl our heavy wings”: A Conversation with Katie Marya about Sugar Work, curated by Tiffany Troy.
Copyright 2022 Katie Marya